1480-1528
Italian
Palma Vecchio Gallery
His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE Related Paintings of Palma Vecchio :. | Paola Priuli and Francesco Querini | Portrait of a Man | The Holy Family with Mary Magdalene and the Infant Saint John | Portrait of a Young bride as Flora | Young Faunus Playing the Syrinx | Related Artists:
Baron Francois Gerard1770-1837
French
Baron Francois Gerard Galleries
French portrait and historical painter, b. Rome. In Paris, after brief study under Pajou and others, he became a favorite pupil of J. L. David, who influenced such works as Psyche Receiving the Kiss of Cupid and Daphnis and Chloe, both in the Louvre. As a leading portraitist, Gerard was patronized by the court during the Empire and the Bourbon restoration. His portrait of Mme Recamier, of this period, is in the Louvre. Louis XVIII appointed him court painter in 1814. Many examples of his historical paintings are in the Versailles Museum. His portrait of the Countess Regnault de Saint-Jean-d Angely (1798; Louvre) exemplifies his style of studied elegance and meticulous finish.
Jan Hackaert (1628-1685) was a Dutch Golden Age painter.
He travelled in Germany and Switzerland, and painted and sketched mostly landscapes.He would sketch miners at work in the mountains, and on more than one occasion this caused him trouble because the workers couldn't understand what he was doing. They felt he was either a spy or hexing them and made a complaint. Because Italianate landscapes were so fashionable, his Lake Zurich was mistaken for an Italian lake for years.
He painted the landscape backgrounds for other painters, such as Nicolas Berchem and Adriaen van de Velde.
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